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1945—Paper Dolls and Radio Shows

I am thirteen.

The rain streaks down the kitchen window. It’s midafternoon on Sunday, and it’s rained all day. Because it’s November, the short days make Sundays particularly gloomy. I wish the rain would change to snow, but there’s not much chance. Not until December. No one likes Sundays. It means the weekend is over, and it’s back to school tomorrow.

“Mommmm,” I whine. “I don’t know what to do. What can I do?”

First I get the standard reply. “You can clean your room, that’s what you can do.” Or some other distasteful chore.

No help from that quarter. There’s no one around to play with either. Except my little sister, Mary, and she’s mostly a pest.

It occurs to me that I haven’t taken out my paper dolls for a while—cutouts of glamorous movie stars such as Lana Turner, with her shimmering blond hair draped over one eye. Or the famous pin-up, Betty Grable. I have both dolls on little cardboard stands. I draw sexy evening gowns for them out of art paper and color them with Prang water colors. The paint comes in a long black box with a little solid square of each color and a brush that fits into a long slot next to the paint blocks. Sometimes I use colored pencils.

When a dress is drawn and painted, I cut it out carefully leaving little flaps at the shoulders, waist and hips to secure it on the doll. If I’m really into a project, I glue little sequins on the dresses. This effect is particularly striking on slinky black dresses.

After finishing my laborious work, I put on a fashion show using whatever outfits remain from previous times playing this game along with the ones finished today. The fashion show is actually somewhat of an anticlimax. Mostly it means I’m tired of the paper doll project for the time being.

Anyhow, by this time our favorite Sunday night radio comedies are on—Amos and Andy, Edgar Bergen and Charlie McCarthy, Jack Benny, Fibber McGee and Molly. My mother, sister and I gather around the kitchen table and laugh for four hours. It’s one of the few times I see my mother relaxed and pleasant.

At thirteen I’m still a child. No dating yet. No running around malls. There are no malls. Movie magazines shared with a friend are the biggest thrills I get. On days when we’re shut in, my best friend Jackie Larkin and I pore over them by the hour, admiring Van Johnson, Guy Madison, Frank Sinatra, and other hunky guys. Sometimes we write dumb fan letters which provoke gales of giggles. Mostly we never send them.

The only real life thrill I get is catching Mary Jo Mackin, a  next door neighbor, kissing her cute boyfriend Tom Trettin on their back stoop. They don’t know they’re being watched from our living room window. He holds her face in his hands, while she closes her eyes. They’re pressed close together.  Drat.  I’ll never have such good luck. What would I do for a boyfriend like that!

1940—Fishing with Dad

I am eight years old.

My father is at the kitchen table fussing with fishing flies in his tackle box. The pull-out compartments are full of colorful baits and lures, hooks, bobbers, sinkers, extra fishing line and a jackknife. He’s agreed to take me fishing on Lake Keesus today. “Get your galoshes on,” he orders me. “We’re heading on out.”  I scurry to find them in the junk closet.

The day is overcast—perfect for fishing, my dad says. When the sun comes out, the fish won’t bite. “It’s chilly on the lake,” my mother says. “You’d better take a jacket.” She goes to the closet and pulls out a red and black lumberjack shirt. “Here, put this on. And here are some sandwiches in case you and your father get hungry.” Oh, good. That makes a true expedition.

Down at the pier, our rowboat bobs in the water. There are cushions to sit on, fishing nets, a can for bailing out the boat if it leaks, my dad’s casting rod, a knife, pail strung over the side of the boat for fish, and other odds and ends.

“You’re going to row” my Dad says. I feel important, elated. I’ve never been asked to do this before. I jump down into the boat onto the bench between the oar locks. My dad sits in the front of the boat, his casting rod in hand. His tackle box is open at his feet so he can change lures whenever he wants.

“All right. See that point out there? Head slowly for that point. Don’t make any noise. Don’t splash the oars in the water.” He stands at the helm, ready to cast. I concentrate on setting dead straight ahead, dipping the oars in the water gently. Soon he begins casting.

For 30 minutes or so, this is an excellent pastime. Then my mind starts to wander. I watch the oars plop in and out of the water, forgetting any noise I’m making. I don’t realize it, but as my mind wanders, so does the boat. I’m no longer headed straight for the point.

Suddenly I’m jerked back to reality. “Didn’t I tell you to head straight for the point? What in the hell are you doing? And the oars are making too much noise.”

In the next hour or so, my focus degenerates. I can’t seem to row in a straight line. Or I’m going too slow or too fast, or the oars are making too much noise. My father doesn’t appreciate the game I’m playing with the oars, trying to rile up some seaweed. After all, I figure I deserve some fun, too.

Rowing has become stale. It’s no fun anymore. The thing is, my dad doesn’t have anyone else to row for him. Grandpa will never do it. He won’t even ask my mother.

Before long my father is spending more time telling me how to row than he is casting his line.

Finally he barks, “All right, dammit. That’s it! I’ve had it. Head for home.”

The sun peeks out as the sky starts to clear. I probably won’t be asked to do this again.

1944—The Jungle

I am twelve years old.

Our back lot line on Garfield Avenue is bordered by trees and shrubs, tall and thick enough that you can’t see through them or over them. We call this strip The Jungle. One beauty of the Jungle is the dense foliage, with enough sturdy low tree branches for climbing. They make excellent watchtowers. In the winters, the Jungle lies fallow when plants and trees lose their leaves, depriving us of privacy and camouflage.

The Jungle is our playground during polio epidemics and quarantines in the Midwest.  Over the back of our lot line lies the property of our quarantine playmates Bobbie and Tootie Stevenson, ages 10 and 5. Bobbie, Tootie, Mary (my sister age 5), and I can’t leave our yards all summer lest we fall victim to the poliovirus, which, we are told, kills or cripples thousands of kids during epidemics.

The Jungle hosts dark rituals, ancient battles, holy rites, and burials. No costumes are required. One end of the Jungle is devoted to an animal cemetery: dead birds, deceased squirrels, and fish that have floated to the tops of our aquariums. Anything below the vertebrate level is not eligible for burial.

During burials, everyone plays a role. Bobbie is the priest because he’s the only male. Being the eldest, I qualify as the grieving wife or mother. Props are always welcome if available—a white table runner for the priest, black slip as headgear for the mother or widow, key chain for an incense pot, and so on.

Mary and Tootie are either pallbearers or acolytes, depending on their willingness to collaborate. Their cooperation is more likely if they’re given props.

Elements of Catholic ritual, learned from my grandfather, are often used. He is a lapsed Catholic, attending Mass only at Christmas and Easter visitor. We sneak his rosary from his private effects as needed and return them when we’re done. Suffering from early dementia, Grandpa never notices the thefts.

We have no traditional music available, so we chant homemade liturgies suitable for each ceremony.

1944—Laundry and Lambs in the Basement

I am twelve years old. The basement of my house on Garfield Avenue includes a fruit cellar, laundry room, workshop for my father’s carpentry, and furnace. The fruit cellar contains preserves put up by my mother and grandmother—mostly strawberries, raspberries and other fruit picked in season—and nonperishable produce such as potatoes and onions. The fruit cellar is dark, with dirt walls and sometimes the tiny scampering sound of mice. Spiders crawl over the walls.

At the other end of the basement, the laundry area has an electric washing machine with a wringer installed just above it. Soiled clothes and linens are delivered to the area by a chute leading from the kitchen to the basement. My dream is to take a death-defying trip down the chute to the basement. By the time I’m old enough to have the nerve, I’m too big to fit in the chute.

Like everyone else, we have no clothes dryer. We never heard of them. Everything is hung in the back yard on a line after most of the water is squeezed out by the electric wringer. On a sunny day, the clothespins can be pulled off the clothes after a couple of hours and the dry laundry brought inside.

Laundry day is always Monday.  My job is to strip the beds and force the sheets down the laundry chute. Laundry baskets in our bedrooms are emptied into the chute. In the basement the lid has been removed from the square, industrial looking wash machine, with mother pouring fels naphtha laundry soap in the water.  Next she pokes clothes deep into the water with a long stick and jiggles it around the be sure they’re distributed evenly. Once Mother is satisfied, she turns the rotor on. As I watch the clothes swish back and forth, back and forth, the water turns grey. When mother has determined that the laundry is clean enough, it’s time to turn off the rotary blade and turn on the electric wringer, installed just above the machine.

This is the part I like best. “Can I run the wringer this time, Mom? It’s my turn. Pleeeze?”

“Your sister hasn’t had a turn yet, Barbara.”

“But she’s too little, Mom. Let me do it. Please?”

“No, it’s too dangerous.”

Even at the age of eight I know something is wrong with her logic. It’s true, the wringer is dangerous. You get your fingers too close and they’ll be mashed. At least that’s what Mother says. It hasn’t happened yet.

Sometimes the basement also serves as a temporary shelter for animals my father or grandfather brings home. This is always a happy surprise event. We don’t get any forewarning. If we did, Mother would never allow it.

We once have three beagle puppies at a time, thanks to my grandfather, who can’t resist puppies. They’re housed in the basement and named Spottie, Tiny, and Smokey Joe. My mother, fearful of my father’s frightening temper, doesn’t say anything when the whimpering puppies are carried to the basement. After a few nights of nonstop howling and barking, it’s too much for her. She doesn’t sleep a wink that night. To my dismay, the puppies are exiled to the garage.

We keep turtles and frogs in the basement, too, but somehow they always escape during the night. I never figure out where they go, although I suspect my mother has a hand in it.

The most exciting pet is a newborn lamb. My grandfather brings it home from a fresh meat market next to his and my dad’s produce business on the waterfront. The lamb is only a few days old and has to be bottle-fed every two or three hours. The worst part is not the nonstop feeding, but the nonstop pooing and peeing on the garage floor. Clean-up is my job.

Sometimes I take the lamb for walks around the block. By this time he has a name—Curly. I love the sensation Curly causes in the neighborhood. Of course, he’s right on my heels because that’s what lambs do. One day, my parents and fifth grade teacher agree that I can bring the lamb to school. I am very popular that day. The glow lasts for a day or two. Then a kid brings in a snake.

My mother puts up with a lot, but a newborn lamb is too much. Luckily, our family doctor, Dr. Wheelihan, agrees to give Curly a happy retirement on his family farm. Every Christmas we get updates on the sheep’s health. He lives to a ripe old age, old enough so that by time I’m sent off to college, I’ve forgotten about him.

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1941—Attic and Basement Adventures

I am 10 years old.

I sneak into the attic sometimes to light matches when my parents are out. There’s a big box of kitchen matches by the fireplace, so full that no one will notice a few missing. I can’t resist the thought of the match scraping a sandy surface and springing to life. The flame blossoms almost immediately, blue at the bottom, yellow at the top. A sulfur smell reaches my nostrils. Too soon, the matchstick starts turning black and shriveling as the flame begins to lose its life and flickers dangerously close to my thumb and forefinger. I blow it out and throw it on the floor just in time. I use eight or ten matches before I quit—no more. I don’t want to hear my dad shouting, “Who in the hell took all these matches?”, something I know will bring down the house once a culprit is identified. Part of the appeal of this exercise is the risk.

As a matter of fact, I do get caught one day when my parents pull in the drive unexpectedly and come in the house calling my name. What can I say that I’m doing in the attic? Looking around at my future bedroom? That will never fly.

There I am, with a box of kitchen matches in hand coming down the steps as my father turns the corner. With the murder weapon in my hand and the smell of sulfur in the air, I’m caught dead to rights. My father’s wrath is quiet and chilling. “You! What in God’s name are you doing up there with matches?” He runs his hand through his hair and leans against the wall, as though weary. “How many times have we warned you about fire! Your own father is a firefighter, for God’s sake!” Go to your room.”

This isn’t the worst. I know that they haven’t finished with me yet. I do know that I won’t be lighting matches again anytime soon.

The other forbidden fruit is a 100-pound sack of bread flour my mother keeps in the attic for her frequent baking projects. I love to go up, open the string on the flour bag, and plunge my arms deep into the flour. The cool virgin flour welcomes my hand and arm without resistance. When I’m in up to my elbows, I wriggle my fingers and pump my arm up and down a few times to experience the lovely, clean, almost liquid feeling. I imagine that it’s just like mercury.  After a few luxurious plunges, I remove my arm and run quickly to the downstairs bathroom to wash the flour off my arm. This activity, too, is always done when my parents are gone. I never get caught. It will unleash my mother’s unholy wrath if I do.

I’m more afraid of my father than my mother, but Mother’s anger is more wearisome than scary. She makes me stand in the kitchen while she delivers a long harangue, usually at least 30 minutes by the wall clock. She outlines all my defects of character, including my lack of gratitude for my undeserved blessings and my failure to appreciate my kind parents and our beautiful home. I don’t catch many of the details of the lecture because I stop listening after the first 5 minutes or so, a fact my mother picks up from my glazed facial expression. “Did you hear what I just said?” she asks in a loud, sharp voice.

“Yes,” I answer woodenly.

“What?” she is now strident. That’s ‘Yes, Mother!”

“Yes, Mother,” I answer, putting as little feeling into my response as possible. It’s no wonder she gets angrier as we go along. I find the subtlest possible ways to grate on her nerves. If my father happens to be in the house, I hear him leave after the first few minutes.

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How Myers-Briggs INFJ Scores Can Change

The Myers-Briggs scores of INFJs can change over the years, sometimes dramatically. Twelve-year-old INFJs who never turn their homework in when it’s due can, by age 17, become academic achievers. That’s because the childhood years of INFJs are devoted to developing imagination and creativity. They daydream, have just one or two friends, and share their make-believe world with only one or two trusted adults. Between ages 6 and 12, their introverted function occupies the main stage.

In their teen years, INFJs become more extraverted, getting good grades and excelling at sports, acting, or other extracurricular activities. They become conscious of their appearance and want to dress attractively. They take on added responsibility, often holding down part-time jobs. At the same time, being INFJs, they always feel a little out-of-step with their peers. They know they’re different and tend to think that something must be wrong with them.

As teenagers, their feeling preference turns their attention to causes such as animal welfare, human rights, and so on. They become more aware of ways they can help others. They may get so involved in these activities that they have little time for themselves—quite a contrast to the reclusive children they were between ages 6 and 12.

From ages 20 to the mid-thirties, socially approved ambitions take hold. INFJs look for ways to become autonomous, run their own lives, and succeed at their jobs. They learn to be smooth and accomplished in many settings, even though inside they may still feel unsure of themselves.

Many INFJs decide in early adulthood that they were too submissive in their earlier years. The INFJ becomes assertive and sometimes rebellious. Family and friends may be puzzled by the change. What happened to the quiet, accommodating INFJ they used to know?

At the same time, INFJs start to tap into their sensing abilities and put them to work. In their early twenties, they may learn to play the guitar, take up oil painting, or collect antiques. INFJs pursue these new interests with enthusiasm, attentive to the smallest detail. Unlike their former tendency toward introversion, the company of others becomes desirable in their quest for new interests.

The departure from the ingrained INFJ style serves their overall development well. With time and maturity, the fully evolved person should be proficient in all eight personality functions.

Readers may get the impression that it’s best to develop all the functions equally. According to Carl Jung, the Swiss psychoanalyst who developed personality theory, it doesn’t work this way. If a person dedicates a period of his or her life to, say, sensing and intuition simultaneously, neither function will get the attention and energy needed to become fully developed. The same is true of the other three trait pairs. One of each pair of functions must be dominant at any given time to produce a stable, reliable personality.

The objective of personal development in terms of the Myers-Briggs theory is to have access to each of the mental functions when its use is appropriate. By being able to use the less-preferred functions when they are needed, the person brings more balance to his or her life.